<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3127712710427856025</id><updated>2011-07-07T21:49:03.772-07:00</updated><title type='text'>UW-Milwaukee Department of Film</title><subtitle type='html'>Screenings, Events, Happenings in and around the Film Department</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://uwmfilmdepartment.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>6</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-4446398349019079962</id><published>2008-05-07T11:23:00.000-07:00</published><updated>2008-12-09T15:10:18.988-08:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;May 8th - May 16th&lt;br /&gt;***********************************************&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_r8nTLz71s14/SCH0D94FQ0I/AAAAAAAAAGI/JjJ_uyBpP5c/s1600-h/LG_Poster_web.jpg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_r8nTLz71s14/SCH0D94FQ0I/AAAAAAAAAGI/JjJ_uyBpP5c/s400/LG_Poster_web.jpg" alt="" id="BLOGGER_PHOTO_ID_5197703793948836674" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Thursday, May 8 – 7pm&lt;/span&gt;&lt;br /&gt;Free Screening UWM Union Theatre                 &lt;/div&gt;&lt;p align="center"&gt;&lt;strong&gt;Locally Grown&lt;br /&gt;&lt;/strong&gt;&lt;span style="font-size:100%;"&gt;Locally Groan, You Have Homework To Do! Ta Da!&lt;/span&gt;&lt;/p&gt;&lt;h2 align="center"&gt;&lt;strong&gt;  &lt;/strong&gt;&lt;/h2&gt;                           &lt;p align="center"&gt;This edition of Locally Grown will be programmed by The Archaeology of the Recent Future Association, a Milwaukee-based organization that strives to create experiences and support work that inspires vision and hope for a better world. They asked local artists to complete one of two assignments: #1. Using only one 100-foot roll of 16mm film, create a film and present it with a live soundtrack. or...#2. Submit 3 minutes of video. Each short clip will be compiled on one tape &amp;amp; each participant will receive a compilation tape with which they will make one new piece. The results will be revealed at a screening that celebrates our community's ingenuity, sweetness, humor, and talent.&lt;/p&gt;&lt;span style="font-family: arial; font-size: 100%;"&gt;Participating Artists:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-size: 100%;"&gt;Jesus Ali, Sam Augustine, Trevor Berman, Jeremy Bessoff, Anne Bisone, Robyn Braun, Ray Chi, Portia Cobb, Brent Coughenour, Jamal Currie, Allison Halter, Kati Katchever, Kelly Kirshtner, Laura Klein, Xav Leplae, Andrea Maio, A. Bill Miller, Erik Peterson, Kate Raney, Mat Rapaport, Joseph Reeves, Ryan Szarnowski, Marc Tasman, Chris Thompson, Renato Umali, Celeste Verhelst, Steve Wetzel&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SCH0Ed4FQ1I/AAAAAAAAAGQ/hrunVMgRNWI/s1600-h/LGbraids.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SCH0Ed4FQ1I/AAAAAAAAAGQ/hrunVMgRNWI/s400/LGbraids.jpg" alt="" id="BLOGGER_PHOTO_ID_5197703802538771282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*****************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, May 8, 6:15 P.M.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Artist Talk: Mary Lucier&lt;br /&gt;Free with general admission&lt;br /&gt;Milwaukee Art Museum&lt;br /&gt;&lt;br /&gt;Get to know Mary Lucier, a founding figure in the video art world, as she talks about her art. Internationally recognized and recently awarded a Skowhegan Award for video, Lucier has been evolving the video art form for over thirty years. Her Polaroid Projection Series (1969–74), a landmark piece of early projected image, will be open in the Sensory Overload exhibition. Lucier wil also show clips from her film Brise du Soleil, which she shot in Windhover Hall while she was a visiting professor at UW–Milwaukee. Her visual montage of images continues to develop and fascinate viewers.&lt;br /&gt;&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, May 9, 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Student Film Festival&lt;br /&gt;UWM Union Theatre&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Saturday, May 10 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Senior Project Screenings&lt;br /&gt;UWM Union Theatre&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Wednesday, May 14th, 6-9 PM&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peck School of the Arts, Inter-Arts&lt;br /&gt;DIVAS Junior/Senior Project&lt;br /&gt;A multimedia exhibition&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Featuring work by the Junior/Senior class of the Digital Interactivity, Visualization, Animation &amp;amp; Sound (DIVAS) program at UW-Milwaukee. The exhibition will showcase students' semester-long projects including interactive installations, video, and performance pieces.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;When:&lt;br /&gt;Wednesday, May 14th 2008, 6-9 PM&lt;br /&gt;&lt;br /&gt;Where:&lt;br /&gt;1925 East Kenilworth Place&lt;br /&gt;4th Floor (Enter through the West entrance)&lt;br /&gt;&lt;br /&gt;Work by&lt;br /&gt;Chris Campbell&lt;br /&gt;Clint Chilcott&lt;br /&gt;Darren Cole&lt;br /&gt;Miles Fabishak&lt;br /&gt;Matteo Garcia&lt;br /&gt;Sarandos Klikizos&lt;br /&gt;Peter Mast&lt;br /&gt;Cedric Ranada&lt;br /&gt;Todd Ruehmer&lt;br /&gt;Chris Thorpe&lt;br /&gt;&lt;br /&gt;DIVAS is a program of motivated, independent students who desire to explore media and technology-oriented production and theory at the blurred boundaries of video, electronic music, visual art, web based art, robotics, and programming.&lt;br /&gt;&lt;br /&gt;****************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;2008 UW-Milwaukee Photography Thesis Exhibition&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt; May 16 - 18, 2008&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt; Opening Reception - May 16, 2008 5:00pm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Please join UWM’s Photography Area in congratulating our students as they celebrate their thesis projects and BFA! The opening will take place on May 16 and is split between two venues; Spackle Gallery (5pm) and Art Bar Riverwest (7pm). Find the details below and the announcement attached.&lt;br /&gt;&lt;br /&gt;Spackle Gallery&lt;br /&gt;www.spacklegallery.com&lt;br /&gt;2674 S. Kinnickinnic Avenue&lt;br /&gt;Milwaukee, WI 53207&lt;br /&gt;gallery hours&lt;br /&gt;Thursday - Friday; 12:00pm - 6:00pm&lt;br /&gt;Saturday - Sunday; 11:00am - 4:00pm&lt;br /&gt;&lt;br /&gt;works by:&lt;br /&gt;Sara Anderson&lt;br /&gt;Liz Beveridge&lt;br /&gt;Beth Bossert&lt;br /&gt;Rollin Kunz&lt;br /&gt;Nancie Moore&lt;br /&gt;Erin Therrien&lt;br /&gt;&lt;br /&gt;May 16 - 28, 2008&lt;br /&gt;Opening Reception - May 16, 2008 7:00pm&lt;br /&gt;&lt;br /&gt;Art Bar Riverwest&lt;br /&gt;www.artbar-riverwest.com&lt;br /&gt;722 East Burleigh Street&lt;br /&gt;Milwaukee, WI 53212&lt;br /&gt;gallery hours&lt;br /&gt;Sunday - Thursday; 6:00am - 1:00am&lt;br /&gt;Friday - Saturday; 6:00am - 2:30am&lt;br /&gt;&lt;br /&gt;works by:&lt;br /&gt;Laura Dierbeck&lt;br /&gt;Amanda Donajkowski&lt;br /&gt;Shane Engelking&lt;br /&gt;Tom Harris&lt;br /&gt;Rollin Kunz&lt;br /&gt;Jeremy Novy&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-4446398349019079962?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4446398349019079962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4446398349019079962'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/05/may-8th-may-16th-thursday-may-8-7pm.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_r8nTLz71s14/SCH0D94FQ0I/AAAAAAAAAGI/JjJ_uyBpP5c/s72-c/LG_Poster_web.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-4441041435616376895</id><published>2008-05-01T18:43:00.000-07:00</published><updated>2008-12-09T15:10:19.285-08:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Thursday May 1 - Friday May 16&lt;br /&gt;&lt;br /&gt;*********************************&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, May 1 – Sunday, May 4&lt;/span&gt;&lt;br /&gt;Milwaukee Underground Film Festival&lt;br /&gt;&lt;a href="http://www.filmmilwaukee.org/"&gt;http://www.filmmilwaukee.org/&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;THIRD ANNUAL MILWAUKEE UNDERGROUND FILM FESTIVAL, MAY 1-3&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;The Milwaukee Underground Film Festival comes up to announce their third annual festival dates: May 1-3, 2008 (Thursday through Saturday). Six programs will be presented at various venues in Milwaukee. Opening night kicks off Thursday May 1 at the UWM Union Theatre on the UWM campus. One program will be presented at 7 pm, and is free to the public. Friday night’s exhibits will be shown at The Times Cinema, with a program at 7 pm and another starting at 9 pm. The 2008 festival will wrap up with the concluding three programs being shown at 4, 6 and 8 pm at the Walker’s Point Center for the Arts (911). A reception is to follow. Prices are $4 per screening, or a festival pass is available for $16. Tickets are available at the door. T-shirts and other merchandise will be for sale as well.&lt;br /&gt;MUFF, a non-profit, student-run organization has been showcasing radically independent experimental, narrative, and documentary films from around the world since 2006. “We are committed to publicly promoting the best in provocative, innovative, political and otherwise controversial film, video and new media work. Our objective is to enrich the everyday movie going experience by reaching out of the rubble of the mundane.” Festival volunteers collaborate with local artists and members of the cultural community in order to unlock new relationships and opportunities for social change.&lt;br /&gt;This year’s festival presents work from a variety of up-and-coming as well as well-established filmmakers. This year's jurors are Riverwest Film and Video owner Xavier Leplae, filmmaker Jack Cronin, and UW-Madison Professor of Film and Video Production Sabine Gruffat will be on hand to judge the pieces, as well as show original work. At the conclusion of the festival, cash prizes will be awarded to the winners.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, May 5, 7pm&lt;/span&gt;&lt;br /&gt;UWM Union Theatre&lt;br /&gt;CMP film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bamboozled&lt;/span&gt; (Spike Lee, 2000)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SBpyDW6gi1I/AAAAAAAAAF4/lOxrmLyYhz8/s1600-h/Bamboozled.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SBpyDW6gi1I/AAAAAAAAAF4/lOxrmLyYhz8/s400/Bamboozled.jpg" alt="" id="BLOGGER_PHOTO_ID_5195590522141444946" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*****************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Thursday, May 8 – 7pm&lt;/span&gt;&lt;br /&gt;Free Screening UWM Union Theatre                 &lt;p align="center"&gt;&lt;strong&gt;Locally Grown&lt;br /&gt;&lt;/strong&gt;&lt;span style="font-size:100%;"&gt;Locally Groan, You Have Homework To Do! Ta Da!&lt;/span&gt;&lt;/p&gt;&lt;h2 align="center"&gt;&lt;strong&gt;  &lt;/strong&gt;&lt;/h2&gt;                           &lt;p align="center"&gt;This edition of Locally Grown will be programmed by The Archaeology of the Recent Future Association, a Milwaukee-based organization that strives to create experiences and support work that inspires vision and hope for a better world.  They asked local artists to complete one of two assignments: #1. Using only one 100-foot roll of 16mm film, create a film and present it with a live soundtrack. or...#2. Submit 3 minutes of video. Each short clip will be compiled on one tape &amp;amp; each participant will receive a compilation tape with which they will make one new piece. The results will be revealed at a screening that celebrates our community's ingenuity, sweetness, humor, and talent. &lt;/p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SBqXhW6gi2I/AAAAAAAAAGA/PiRPPCULF4Y/s1600-h/LGbraids.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SBqXhW6gi2I/AAAAAAAAAGA/PiRPPCULF4Y/s400/LGbraids.jpg" alt="" id="BLOGGER_PHOTO_ID_5195631719467748194" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;*****************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, May 8, 6:15 P.M.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Artist Talk: Mary Lucier&lt;br /&gt;Free with general admission&lt;br /&gt;Milwaukee Art Museum&lt;br /&gt;&lt;br /&gt;Get to know Mary Lucier, a founding figure in the video art world, as she talks about her art. Internationally recognized and recently awarded a Skowhegan Award for video, Lucier has been evolving the video art form for over thirty years. Her Polaroid Projection Series (1969–74), a landmark piece of early projected image, will be open in the Sensory Overload exhibition. Lucier wil also show clips from her film Brise du Soleil, which she shot in Windhover Hall while she was a visiting professor at UW–Milwaukee. Her visual montage of images continues to develop and fascinate viewers.&lt;br /&gt;&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, May 9, 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Student Film Festival&lt;br /&gt;UWM Union Theatre&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Saturday, May 10 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Senior Project Screenings&lt;br /&gt;UWM Union Theatre&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Wednesday, May 14th, 6-9 PM&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peck School of the Arts, Inter-Arts&lt;br /&gt;DIVAS Junior/Senior Project&lt;br /&gt;A multimedia exhibition&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Featuring work by the Junior/Senior class of the Digital Interactivity, Visualization, Animation &amp;amp; Sound (DIVAS) program at UW-Milwaukee. The exhibition will showcase students' semester-long projects including interactive installations, video, and performance pieces.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;When:&lt;br /&gt;Wednesday, May 14th 2008, 6-9 PM&lt;br /&gt;&lt;br /&gt;Where:&lt;br /&gt;1925 East Kenilworth Place&lt;br /&gt;4th Floor (Enter through the West entrance)&lt;br /&gt;&lt;br /&gt;Work by&lt;br /&gt;Chris Campbell&lt;br /&gt;Clint Chilcott&lt;br /&gt;Darren Cole&lt;br /&gt;Miles Fabishak&lt;br /&gt;Matteo Garcia&lt;br /&gt;Sarandos Klikizos&lt;br /&gt;Peter Mast&lt;br /&gt;Cedric Ranada&lt;br /&gt;Todd Ruehmer&lt;br /&gt;Chris Thorpe&lt;br /&gt;&lt;br /&gt;DIVAS is a program of motivated, independent students who desire to explore media and technology-oriented production and theory at the blurred boundaries of video, electronic music, visual art, web based art, robotics, and programming.&lt;br /&gt;&lt;br /&gt;****************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;2008 UW-Milwaukee Photography Thesis Exhibition&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt; May 16 - 18, 2008&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt; Opening Reception - May 16, 2008 5:00pm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Please join UWM’s Photography Area in congratulating our students as they celebrate their thesis projects and BFA! The opening will take place on May 16 and is split between two venues; Spackle Gallery (5pm) and Art Bar Riverwest (7pm). Find the details below and the announcement attached.&lt;br /&gt;&lt;br /&gt;Spackle Gallery&lt;br /&gt;www.spacklegallery.com&lt;br /&gt;2674 S. Kinnickinnic Avenue&lt;br /&gt;Milwaukee, WI 53207&lt;br /&gt;gallery hours&lt;br /&gt;Thursday - Friday; 12:00pm - 6:00pm&lt;br /&gt;Saturday - Sunday; 11:00am - 4:00pm&lt;br /&gt;&lt;br /&gt;works by:&lt;br /&gt;Sara Anderson&lt;br /&gt;Liz Beveridge&lt;br /&gt;Beth Bossert&lt;br /&gt;Rollin Kunz&lt;br /&gt;Nancie Moore&lt;br /&gt;Erin Therrien&lt;br /&gt;&lt;br /&gt;May 16 - 28, 2008&lt;br /&gt;Opening Reception - May 16, 2008 7:00pm&lt;br /&gt;&lt;br /&gt;Art Bar Riverwest&lt;br /&gt;www.artbar-riverwest.com&lt;br /&gt;722 East Burleigh Street&lt;br /&gt;Milwaukee, WI 53212&lt;br /&gt;gallery hours&lt;br /&gt;Sunday - Thursday; 6:00am - 1:00am&lt;br /&gt;Friday - Saturday; 6:00am - 2:30am&lt;br /&gt;&lt;br /&gt;works by:&lt;br /&gt;Laura Dierbeck&lt;br /&gt;Amanda Donajkowski&lt;br /&gt;Shane Engelking&lt;br /&gt;Tom Harris&lt;br /&gt;Rollin Kunz&lt;br /&gt;Jeremy Novy&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-4441041435616376895?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4441041435616376895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4441041435616376895'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/05/thursday-may-1-friday-may-16-thursday.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_r8nTLz71s14/SBpyDW6gi1I/AAAAAAAAAF4/lOxrmLyYhz8/s72-c/Bamboozled.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-3714362264827697030</id><published>2008-04-22T11:29:00.000-07:00</published><updated>2008-12-09T15:10:20.516-08:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;Thursday April 24th - Saturday May 10th&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;****************************************&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;&lt;br /&gt;Thursday, April 24&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;7pm Cream City Collective, 732 E. Clarke St.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_r8nTLz71s14/SA4vbG6gixI/AAAAAAAAAFY/D_Rbt59S0iI/s1600-h/april25_Pentagon+bleeding+man.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_r8nTLz71s14/SA4vbG6gixI/AAAAAAAAAFY/D_Rbt59S0iI/s400/april25_Pentagon+bleeding+man.jpg" alt="" id="BLOGGER_PHOTO_ID_5192139563163749138" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;A bientôt j'espère  / Be Seeing You&lt;/span&gt; (Mario Marret &amp;amp; Chris Marker; produced by SLON, 16mm on vhs, 39 min., 1968) A documentary of and a conversation with the striking workers of Rhodiaceta, a textile plant owned by the Rhone-Poulenc trust in the city of Besançon, France. Refusing to disassociate the industrial conflict from a social and cultural agenda, the striking workers' demands concerned not only salary and job security, but also the very lifestyle imposed on them by society. Produced by SLON, which translates as the "Company for the Launching of New Works. Marker was a member of this filmmaking collective from 1967-1976. Presented as part of a cross-city celebration of films by Chris Marker&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, APRIL 24&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Climbing Poetree&lt;br /&gt;&lt;/span&gt;7pm, UWM Union Wisconsin Room, with their two womyn production, "Hurricane Season."&lt;br /&gt;Co-sponsored by the Community Media Project&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SA4vbW6giyI/AAAAAAAAAFg/yg_sa-X_ajQ/s1600-h/poetree.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SA4vbW6giyI/AAAAAAAAAFg/yg_sa-X_ajQ/s400/poetree.jpg" alt="" id="BLOGGER_PHOTO_ID_5192139567458716450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 25&lt;/span&gt;&lt;br /&gt;7pm $2 Woodland Pattern Experimental Film /Video series&lt;br /&gt;Woodland Pattern Book Center, 720 E Locust, 414 263 5001&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;The Embassy&lt;/span&gt; (super8 on DVD, 21 min., 1973)&lt;br /&gt;One of Chris Marker's few fiction films, The Embassy, shot in Super8 in the wake of the coup d’etat in Chile in 1972, shows political dissidents seeking refuge in a foreign embassy after a military coup d'état in an unidentified country. Over the next few days, more and more people fleeing the military assault-teachers, students, intellectuals, artists, and politicians-arrive at the embassy.&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;The Sixth Side of the Pentagon&lt;/span&gt; (Chris Marker &amp;amp; François Reichenbach, 16mm on DVD, b&amp;amp;w/sound, 26 min., 1967) Marker’s doc on the October 21, 1967 march on the Pentagon for the Mobilization to End the War in Vietnam. "If the five sides of the pentagon appear impregnable, attack the sixth side." -- Zen proverb&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt; “On vous parle de Paris: Maspero, Les mots ont?un sens”&lt;/span&gt; (Report on Paris: Maspero: Words have a sense.)&lt;br /&gt;(16mm on DVD, in French with live English translation, b&amp;amp;w, 20min., 1970) A portrait of editor/publisher and political activist François Maspero, considered heroic for his stalwart publication of works challenging France’s position in Algeria. One of Marker’s contributions to a serial film magazine, a series of newreels subtitled “Magazine of Counter-Information” that was produced by the collective SLON as a way to offer an alternative media in its coverage of and commentary on world news and political, social, and cultural figures.&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related"&gt;&lt;/a&gt;&lt;br /&gt;*********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Saturday, April 26&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; THE 7th ANNUAL &lt;span class="nfakPe"&gt;UMALI&lt;/span&gt; AWARDS&lt;br /&gt;Presented in conjunction with Indexical Frontiers&lt;br /&gt;April 26, 2008 at 7:30 pm -- SATURDAY&lt;br /&gt;Inova/Kenilworth, 2155 N. Prospect Ave. (across from Izumi's)&lt;br /&gt;Semi-formal attire requested.&lt;br /&gt;&lt;br /&gt;Improvements this year:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt; 1. Earlier in the calendar (so people can have a proper vacation).&lt;br /&gt;2. A real piano.&lt;br /&gt;3. The Illusory Tenant, fresh from his talk with Jane Hampden, makes a guest appearance.&lt;br /&gt;4. A new rule regarding eligibility for the category of Most Frequented Restaurant.&lt;br /&gt;5. A talk about the "Flattening of Experience" given by Xavier Leplae.&lt;br /&gt;6. Nearer to Izumi's.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt; ************************************************&lt;br /&gt;&lt;br /&gt;&lt;span class="nfakPe"&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, April 28&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;Boyz N the Hood&lt;/span&gt; (John Singleton, 1991)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_r8nTLz71s14/SA4vbm6gizI/AAAAAAAAAFo/_5I3TJ0q2Fg/s1600-h/123046__boys_in_the_hood_l.jpg"&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;img src="http://www.blogger.com/img/gl.link.gif" alt="Link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_r8nTLz71s14/SA4vbm6gizI/AAAAAAAAAFo/_5I3TJ0q2Fg/s400/123046__boys_in_the_hood_l.jpg" alt="" id="BLOGGER_PHOTO_ID_5192139571753683762" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;b style="color: rgb(153, 0, 0);"&gt;TUESDAY, APRIL 29&lt;/b&gt;&lt;br /&gt;&lt;b&gt; at 7pm&lt;/b&gt; features the producers, professors and students who made the &lt;b style="color: rgb(51, 102, 255);"&gt;POETRY EVERYWHERE&lt;/b&gt; films at &lt;b&gt;Harry Schwartz on Downer&lt;/b&gt; showing the films and talking about how we made them. &lt;b&gt; Local poets&lt;/b&gt; whose work is featured will be there to read their poems, too.  &lt;u&gt;April is National Poetry Month&lt;/u&gt;, so get in the spirit and come on out.  &lt;a href="http://www.poetryfoundation.org/journal/video.html?show=Poetry%20Everywhere" target="_blank"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;***************************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, May 1 – Sunday, May 4&lt;/span&gt;&lt;br /&gt;Milwaukee Underground Film Festival&lt;br /&gt;&lt;a href="http://www.filmmilwaukee.org/"&gt;http://www.filmmilwaukee.org/&lt;br /&gt;&lt;/a&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;THIRD ANNUAL MILWAUKEE UNDERGROUND FILM FESTIVAL, MAY 1-3&lt;br /&gt;&lt;/div&gt;The Milwaukee Underground Film Festival comes up to announce their third annual festival dates: May 1-3, 2008 (Thursday through Saturday). Six programs will be presented at various venues in Milwaukee. Opening night kicks off Thursday May 1 at the UWM Union Theatre on the UWM campus. One program will  be presented at 7 pm, and is free to the public. Friday night’s exhibits will be shown at The Times Cinema, with a program at 7 pm and another starting at 9 pm. The 2008 festival will wrap up with the concluding three programs being shown at 4, 6 and 8 pm at the Walker’s Point Center for the Arts (911). A reception is  to follow. Prices are $4 per screening, or a festival pass is available for $16. Tickets are available at the door. T-shirts and other merchandise will be for sale as well.&lt;br /&gt;MUFF, a non-profit, student-run organization has been showcasing radically independent experimental, narrative, and documentary films from around the world since 2006. “We are committed to publicly promoting the best in provocative, innovative, political and otherwise controversial film, video and new  media work. Our objective is to enrich the everyday movie going experience by reaching out of the rubble of the mundane.” Festival volunteers collaborate with local artists and members of the cultural community in order to unlock new relationships and opportunities for social change.&lt;br /&gt;This year’s festival presents work from a variety of up-and-coming as well as well-established filmmakers. This year's jurors are Riverwest Film and Video owner Xavier Leplae, filmmaker Jack Cronin, and UW-Madison Professor of Film and Video Production Sabine Gruffat will be on hand to judge the pieces, as well  as show original work. At the conclusion of the festival, cash prizes will be awarded to the winners.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;*************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, May 5, 7pm&lt;/span&gt;&lt;br /&gt;UWM Union Theatre&lt;br /&gt;CMP film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bamboozled&lt;/span&gt; (Spike Lee, 2000)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_r8nTLz71s14/SBDLpG6gi0I/AAAAAAAAAFw/rgyip5HAsps/s1600-h/Bamboozled.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_r8nTLz71s14/SBDLpG6gi0I/AAAAAAAAAFw/rgyip5HAsps/s400/Bamboozled.jpg" alt="" id="BLOGGER_PHOTO_ID_5192874277449272130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*****************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, May 9, 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Student Film Festival&lt;br /&gt;UWM Union Theatre&lt;br /&gt;********************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Saturday, May 10 7pm&lt;/span&gt;&lt;br /&gt;UWM Film Department Senior Project Screenings&lt;br /&gt;UWM Union Theatre&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-3714362264827697030?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/3714362264827697030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/3714362264827697030'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/04/thursday-april-24th-monday-april-28th.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_r8nTLz71s14/SA4vbG6gixI/AAAAAAAAAFY/D_Rbt59S0iI/s72-c/april25_Pentagon+bleeding+man.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-4571686454712122278</id><published>2008-04-17T10:40:00.001-07:00</published><updated>2010-08-24T15:32:52.407-07:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0);font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;Thursday April 17 - Monday April 28&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div id="main"&gt;&lt;div style="text-align: center;"&gt;    &lt;/div&gt;&lt;h2 style="color: rgb(153, 0, 0); text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:130%;"&gt;***********************************&lt;/span&gt;&lt;br /&gt;&lt;/h2&gt;&lt;h4 style="text-align: center;"&gt;Milwaukee Underground Film Festival Benefit&lt;br /&gt;&lt;/h4&gt;&lt;h4 style="text-align: center;"&gt;MUFF EXPLOSION 2008 @ Art Bar&lt;/h4&gt;&lt;div style="text-align: center;"&gt;         &lt;/div&gt;&lt;h5 style="text-align: center;"&gt;722 E. Burliegh St.&lt;br /&gt;    Thurs. April 17. 8PM    &lt;br /&gt;$5 at the door. All ages, drink with ID    &lt;br /&gt;featuring The Lillies, Steve Wetzel and Andy Thiel&lt;/h5&gt;&lt;div style="text-align: center;"&gt;MUFF's website: &lt;a href="http://www.filmmilwaukee.org/"&gt;http://www.filmmilwaukee.org&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;h2 style="color: rgb(153, 0, 0); text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;*************************************&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="color: rgb(153, 0, 0); text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;Friday April 18 - Saturday April 19, 2008&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;World Making: Art and Politics in Global Media&lt;br /&gt;Hefter Center, University of Wisconsin-Milwaukee&lt;/span&gt;   &lt;/h2&gt;      &lt;p class="rightpadding"&gt;The Center for International Education will hold its annual academic conference on April 18-19, 2008. "World Making: Art and Politics in Global Media" seeks to explore the way in which various art and media practices construct our understanding and experience of the world across literal and metaphoric places, screens, and frames. It explores the capacity of art and media practices - print, film, literature, television, architecture, internet culture, and digital art - to create distinctive senses of place, space and time and endeavors to think about social relations, aesthetic orders, language systems, and citizenship within and beyond the nation-state. &lt;/p&gt;   &lt;p class="rightpadding"&gt;The Conference will be held at the Hefter Center at     3271 North Lake Drive (a short walk from UWM's campus). Click on &lt;a href="http://www.uwm.edu/map/buildings/vt-hcc-prof.html"&gt;Directions&lt;/a&gt; for a map. Please note that David Wilson's lecture on Friday 18 April (7:30 - 9:00 pm) will take place in Curtin Hall, room 175.&lt;/p&gt; &lt;/div&gt;For schedule see &lt;a href="http://www.uwm.edu/Dept/CIE/AP/World_Making/index.html"&gt;http://www.uwm.edu/Dept/CIE/AP/World_Making/index.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;**************************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday – Sunday, April 18-20&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;UWM Union Theatre&lt;br /&gt;2200 E. Kenwood&lt;br /&gt;Part 1 1pm each day; Part 2 6pm each day&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Taiga &lt;/span&gt;&lt;br /&gt;(Ulrike Ottinger, Germany/Mongolia, in Mongolian and German w/ English subtitles, 501 min. 35mm, 1993)&lt;br /&gt;Co-presented by UWM Union Theatre &amp;amp; UWM Film Department&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Taiga is Ulrike Ottinger’s epic 8 hour documentary shot within Mongolia. Focusing on the daily lives of the Darchad nomads and the Tuvan people of the North, Ottinger observes their shamanic rituals, celebrations, hunting expeditions and real Mongolian barbecues among other aspects of their nomadic existence amidst spellbinding landscapes. Taiga mirrors the slow, unhurried pace of Mongolian life.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*********************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 18, 2008    5-9 pm&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt; Saturday, April 19, 2008    noon-5 pm&lt;/span&gt;&lt;br /&gt;Kenilworth Square East Open House Schedule&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CONTINUOUS EVENTS&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;At Urban Outfitters &lt;span style="font-style: italic;"&gt;What’s Your _____?&lt;/span&gt; Video and Pinhole Photography by Portia Cobb’s Ethnographic Video Class&lt;br /&gt;Sissel Tolaas: &lt;span style="font-style: italic;"&gt;Fear 9&lt;/span&gt; (scent-based installation, 463)&lt;br /&gt;Photography: work by students of Gina Rymarcsuk, Naomi Shersty, and Tom Bamberger&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Open Studios&lt;/span&gt;&lt;br /&gt;Dick Blau (photography projects, 491)&lt;br /&gt;Chris Whittaker  (sculpture or video loop, 492)&lt;br /&gt;Portia Cobb (screening of Trilogy, shorts works from a project using found footage mingled with her own footage, 481)&lt;br /&gt;Gina Rymarcsuk &amp;amp; Naomi Shersty (455)&lt;br /&gt;Ken Wood (painting) 479&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SCHEDULED EVENTS&lt;/span&gt;&lt;br /&gt;FRIDAY&lt;br /&gt;5-6 pm: screening of Film 455 (Integrated Film Exploration) projects  (Room 408)&lt;br /&gt;6-7:30 pm: Sensorium: A Conversation with Sissel Tolaas and Caroline A. Jones (see below for more details) (Room 412)&lt;br /&gt;8-9 pm: Roughcut screening of Chosen Towns: The Experience of Jews in Rural Wisconsin’s Diaspora (film in progress made by docUWM and UWM students) with invited audience; public &amp;amp; audience invited to offer feedback. RT 60 min. (Room 408)&lt;br /&gt;&lt;br /&gt;Performances/Installations&lt;br /&gt;SATURDAY&lt;br /&gt;Noon-5 pm: Poetry Everywhere (mostly silent 36 min. loop on 2 screens)&lt;br /&gt;Noon-5 pm: Glenn Bach open studio/rehearsal with special guest sound artists John Kannenberg, Jim Schoenecker, others. Improvised performance at 3 pm. (449)&lt;br /&gt;Noon-1 pm : screening of Film 455 (Integrated Film Exploration) projects  (408)&lt;br /&gt;1: 15 pm: My Trip to the Beach, or Making Me into You 9 Times Over (Heather Warren Crow performance, 408) (15-20 min.)&lt;br /&gt;2-5 pm:  screening of Film 455 (Integrated Film Exploration) projects  (408)&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*********************************************&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 18&lt;/span&gt;&lt;br /&gt;6pm KSE, 4th Floor&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SENSATIONAL! SENSING MEDIA ARTS THEORY AND PRACTICE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Colloquia in Conceptual Studies&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;Kenilworth Square East&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1925 E. Kenilworth Pl.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;April 18, 2008 at 6 pm (Room 412)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sensorium&lt;/span&gt;&lt;br /&gt;A Conversation with Sissel Tolaas and Caroline A. Jones&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt; “Sensorium," a talk by Caroline Jones (Professor and Director of the History, Theory, Criticism Program, Department of Architecture, MIT). The talk is paired with an installation by and discussion with conceptual artist Sissel Tolaas, whose work explores the sense of smell.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;April 18-19, 2008 (KSE Room 463)&lt;br /&gt;Sissel Tolaas: &lt;span style="font-style: italic;"&gt;Fear 9&lt;/span&gt;&lt;br /&gt;scent-based installation&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Gallery Night &amp;amp; Day&lt;br /&gt;Friday, April 18, 5-9 pm&lt;br /&gt;Saturday, April 19, noon-5 pm&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sissel Tolaas&lt;/span&gt; (b. Norway, 1961) is a Berlin-based artist who has been working,&lt;br /&gt;researching and experimenting intensively with the topic of smell since 1990. She&lt;br /&gt;has developed revolutionary projects with smells and fragrances based upon her own knowledge of chemical science, mathematics, linguistics and languages, and visual art. Her installations have exhibited all over the world, and she has consulted with companies and institutions such as Cartier, Louis Vuitton, COMME des GARCONS,&lt;br /&gt;Estee Lauder, Chrysler Future, The Boston Consulting Group, ZH/Berlin, Bayers-Schering Inc., and the San Francisco Neurosciences Institute. In January of 2004, she established the research lab, IFF re_searchLab Berlin, on smell &amp;amp; communication, which is supported by IFF (International Flavors &amp;amp; Fragrances) Inc., New York. The Lab conducts research on the topic of smell/olfactory and smell-communication for the purpose of trying to change the existing approach to “our noses and smells and the process of smelling.“&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Caroline A. Jones&lt;/span&gt; studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception. Professor of art history and director of the History, Theory, Criticism Program in the Department of Architecture&lt;br /&gt;at MIT, she has also worked as an essayist and curator, most recently with MIT’s List Visual Art Center on Video Trajectories. She held positions at The Museum of Modern&lt;br /&gt;Art in New York (1977-83) and the Harvard University Art Museums (1983-85) prior to completing her PhD at Stanford University in 1992. Her exhibitions and/or films have been shown at MoMA and Harvard as well as the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Hara&lt;br /&gt;Museum Tokyo, among other venues; her publications include Sensorium (as editor, 2006), Eyesight Alone (2005), Machine in the Studio (1996/98), and the co-edited volume Picturing Science, Producing Art (1998). A frequent contributor to Artforum, Jones’s&lt;br /&gt;current research into globalism informs her next book on contemporary art, the world picture, and what she calls “biennial culture.”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*************************************&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center; font-weight: bold; color: rgb(153, 0, 0);"&gt;  Friday 4/18: 3pm - 9pm&lt;br /&gt;Saturday 4/19: 11am - 4pm&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Treat yourself to an impressive photography exhibit:&lt;br /&gt;FOCUS, the UWM Undergraduate Student Photography Club, is having their first group show.&lt;br /&gt;Fifteen - twenty active members have worked incredibly hard to arrange and install this exhibit.&lt;br /&gt;&lt;br /&gt;Hope to see you there!&lt;br /&gt;&lt;br /&gt;FOCUS ~ the unveiling exhibition&lt;br /&gt;C.R. Davidson Art&lt;br /&gt;Marshall Building, 207 E. Buffalo St, Suite 210&lt;br /&gt;414-220-9389&lt;br /&gt;&lt;br /&gt;Show runs: 4/15 - 6/15&lt;br /&gt;gallery hours: Fri &amp;amp; Sat 11am - 4pm, or by appointment&lt;br /&gt;&lt;br /&gt;**Student Photography work is also on display on the third and fourth floors of&lt;br /&gt;KSE for Gallery night &amp;amp; day.&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;************************************&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Monday, April 21&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Screening in Intro to Experimental Media Arts 201&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;MUS 175 11:00am-12:50pm&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;Bruce Conner's &lt;span style="font-weight: bold; font-style: italic;"&gt;Report&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Gunvor Nelson and Debra Wiley's &lt;span style="font-style: italic; font-weight: bold;"&gt;Schmeerguntz&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Work by &lt;span style="font-weight: bold;"&gt;Animal Farm&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;*************************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Monday, April 21&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;She’s Gotta Have It&lt;/span&gt; (Spike Lee, 1986)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_r8nTLz71s14/SAeMkZfCOqI/AAAAAAAAAE4/6VzeTJAaL3s/s1600-h/shesgotta.jpeg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_r8nTLz71s14/SAeMkZfCOqI/AAAAAAAAAE4/6VzeTJAaL3s/s400/shesgotta.jpeg" alt="" id="BLOGGER_PHOTO_ID_5190271652512021154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*******************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, April 24&lt;/span&gt;&lt;br /&gt;7pm Cream City Collective, 732 E. Clarke St.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SAeNLpfCOtI/AAAAAAAAAFQ/nxoI8KdonMI/s1600-h/april25_Pentagon+bleeding+man.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SAeNLpfCOtI/AAAAAAAAAFQ/nxoI8KdonMI/s400/april25_Pentagon+bleeding+man.jpg" alt="" id="BLOGGER_PHOTO_ID_5190272326821886674" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A bientôt j'espère  / Be Seeing You (Mario Marret &amp;amp; Chris Marker; produced by SLON, 16mm on vhs, 39 min., 1968) A documentary of and a conversation with the striking workers of Rhodiaceta, a textile plant owned by the Rhone-Poulenc trust in the city of Besançon, France. Refusing to disassociate the industrial conflict from a social and cultural agenda, the striking workers' demands concerned not only salary and job security, but also the very lifestyle imposed on them by society. Produced by SLON, which translates as the "Company for the Launching of New Works. Marker was a member of this filmmaking collective from 1967-1976. Presented as part of a cross-city celebration of films by Chris Marker&lt;br /&gt;&lt;br /&gt;*************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 25&lt;/span&gt;&lt;br /&gt;7pm $2 Woodland Pattern Experimental Film /Video series&lt;br /&gt;Woodland Pattern Book Center, 720 E Locust, 414 263 5001&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;The Embassy&lt;/span&gt; (super8 on DVD, 21 min., 1973)&lt;br /&gt;One of Chris Marker's few fiction films, The Embassy, shot in Super8 in the wake of the coup d’etat in Chile in 1972, shows political dissidents seeking refuge in a foreign embassy after a military coup d'état in an unidentified country. Over the next few days, more and more people fleeing the military assault-teachers, students, intellectuals, artists, and politicians-arrive at the embassy.&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Sixth Side of the Pentagon&lt;/span&gt; (Chris Marker &amp;amp; François Reichenbach, 16mm on DVD, b&amp;amp;w/sound, 26 min., 1967) Marker’s doc on the October 21, 1967 march on the Pentagon for the Mobilization to End the War in Vietnam. "If the five sides of the pentagon appear impregnable, attack the sixth side." -- Zen proverb&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt; “On vous parle de Paris: Maspero, Les mots ont?un sens”&lt;/span&gt; (Report on Paris: Maspero: Words have a sense.)&lt;br /&gt;(16mm on DVD, in French with live English translation, b&amp;amp;w, 20min., 1970) A portrait of editor/publisher and political activist François Maspero, considered heroic for his stalwart publication of works challenging France’s position in Algeria. One of Marker’s contributions to a serial film magazine, a series of newreels subtitled “Magazine of Counter-Information” that was produced by the collective SLON as a way to offer an alternative media in its coverage of and commentary on world news and political, social, and cultural figures.&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, APRIL 24&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Climbing Poetree&lt;br /&gt;&lt;/span&gt;7pm, UWM Union Wisconsin Room, with their two womyn production, "Hurricane Season."&lt;br /&gt;Co-sponsored by the Community Media Project&lt;br /&gt;http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SAeMkpfCOrI/AAAAAAAAAFA/JnUGIGpzP1c/s1600-h/poetree.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SAeMkpfCOrI/AAAAAAAAAFA/JnUGIGpzP1c/s400/poetree.jpg" alt="" id="BLOGGER_PHOTO_ID_5190271656806988466" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*********************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, April 28&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;Boyz N the Hood&lt;/span&gt; (John Singleton, 1991)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_r8nTLz71s14/SAeMk5fCOsI/AAAAAAAAAFI/EGcy9YXKOM4/s1600-h/123046__boys_in_the_hood_l.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_r8nTLz71s14/SAeMk5fCOsI/AAAAAAAAAFI/EGcy9YXKOM4/s400/123046__boys_in_the_hood_l.jpg" alt="" id="BLOGGER_PHOTO_ID_5190271661101955778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-4571686454712122278?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4571686454712122278'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/4571686454712122278'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/04/thursday-april-17-monday-april-28.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_r8nTLz71s14/SAeMkZfCOqI/AAAAAAAAAE4/6VzeTJAaL3s/s72-c/shesgotta.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-2825572175002218448</id><published>2008-04-14T14:36:00.000-07:00</published><updated>2010-08-23T18:14:50.644-07:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;&lt;span style="font-size:130%;"&gt;Monday April 14th - Monday April 28th&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;***************************************************&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;&lt;br /&gt;Monday, April 14&lt;br /&gt;&lt;/span&gt; 7pm UWM Union Theatre, free&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Tongues Untied (Marlon Riggs, 1990)&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_r8nTLz71s14/SAPQAJfCOkI/AAAAAAAAAEI/aRj55o2RvrM/s1600-h/tonguesuntied.jpeg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_r8nTLz71s14/SAPQAJfCOkI/AAAAAAAAAEI/aRj55o2RvrM/s400/tonguesuntied.jpeg" alt="" id="BLOGGER_PHOTO_ID_5189219896625609282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;with&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Looking for Langston (Isaac Julien, 1988)&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SAPP-pfCOjI/AAAAAAAAAEA/tO6xEOxbC9E/s1600-h/langston2.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SAPP-pfCOjI/AAAAAAAAAEA/tO6xEOxbC9E/s400/langston2.jpg" alt="" id="BLOGGER_PHOTO_ID_5189219870855805490" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Tuesday, April 15&lt;/span&gt;&lt;br /&gt;7pm Union Theatre&lt;br /&gt;Visiting Artist Craig Baldwin!&lt;br /&gt;MOCK UP ON MU (16mm to BetaSP, 117 mins.., 2008)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_r8nTLz71s14/SAPQTZfCOlI/AAAAAAAAAEQ/sjnJ2pfxJ6g/s1600-h/Mu+Still+30+copy.jpg"&gt;&lt;img style="cursor: pointer;" src="http://1.bp.blogspot.com/_r8nTLz71s14/SAPQTZfCOlI/AAAAAAAAAEQ/sjnJ2pfxJ6g/s400/Mu+Still+30+copy.jpg" alt="" id="BLOGGER_PHOTO_ID_5189220227338091090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;A radically hybridized mash-up of spy, sci-fi, Western, and even horror genres,  Mu…musters the creative audacity—make that recklessness—to take up within its absurdly impossible collage-narrative agency the profoundly serious issue  of Technological Ethics, namely, the militarization of space. (Mostly) Based on historical fact—the occult sex rituals of 3 seminal figures  in post-War California (JPL founder Jack Parsons, L.Ron Hubbard, and Marjorie Cameron), the incorrigible Baldwin promiscuously mixes his own desert-shot live-action footage with both fiction and non-fiction archival material to weave a dense tale  of mind-control, subterranean intrigue, and scientific speculation out of the 3 (or 99?) thematic threads of aerospace, alternative religion, and Beat sub-culture… and in pulp-serial form to boot! &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;**************************************************&lt;br /&gt;&lt;div id="main"&gt;    &lt;h2 style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-size:100%;"&gt;Friday April 18 - Saturday April19, 2008&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;World Making: Art and Politics in Global Media&lt;br /&gt;Hefter Center, University of Wisconsin-Milwaukee   &lt;/h2&gt;      &lt;p class="rightpadding"&gt;The Center for International Education will hold its annual academic conference on April 18-19, 2008. "World Making: Art and Politics in Global Media" seeks to explore the way in which various art and media practices construct our understanding and experience of the world across literal and metaphoric places, screens, and frames. It explores the capacity of art and media practices - print, film, literature, television, architecture, internet culture, and digital art - to create distinctive senses of place, space and time and endeavors to think about social relations, aesthetic orders, language systems, and citizenship within and beyond the nation-state. &lt;/p&gt;   &lt;p class="rightpadding"&gt;The Conference will be held at the Hefter Center at     3271 North Lake Drive (a short walk from UWM's campus). Click on &lt;a href="http://www.uwm.edu/map/buildings/vt-hcc-prof.html"&gt;Directions&lt;/a&gt; for a map. Please note that David Wilson's lecture on Friday 18 April (7:30 - 9:00 pm) will take place in Curtin Hall, room 175.&lt;/p&gt; &lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;**************************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday – Sunday, April 18-20&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;UWM Union Theatre&lt;br /&gt;2200 E. Kenwood&lt;br /&gt;Part 1 1pm each day; Part 2 6pm each day&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Taiga &lt;/span&gt;&lt;br /&gt;(Ulrike Ottinger, Germany/Mongolia, in Mongolian and German w/ English subtitles, 501 min. 35mm, 1993)&lt;br /&gt;Co-presented by UWM Union Theatre &amp;amp; UWM Film Department&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Taiga is Ulrike Ottinger’s epic 8 hour documentary shot within Mongolia. Focusing on the daily lives of the Darchad nomads and the Tuvan people of the North, Ottinger observes their shamanic rituals, celebrations, hunting expeditions and real Mongolian barbecues among other aspects of their nomadic existence amidst spellbinding landscapes. Taiga mirrors the slow, unhurried pace of Mongolian life.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*********************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 18, 2008    5-9 pm&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt; Saturday, April 19, 2008    noon-5 pm&lt;/span&gt;&lt;br /&gt;Kenilworth Square East Open House Schedule&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CONTINUOUS EVENTS&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;At Urban Outfitters &lt;span style="font-style: italic;"&gt;What’s Your _____?&lt;/span&gt; Video and Pinhole Photography by Portia Cobb’s Ethnographic Video Class&lt;br /&gt;Sissel Tolaas: &lt;span style="font-style: italic;"&gt;Fear 9&lt;/span&gt; (scent-based installation, 463)&lt;br /&gt;Photography: work by students of Gina Rymarcsuk, Naomi Shersty, and Tom Bamberger&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Open Studios&lt;/span&gt;&lt;br /&gt;Dick Blau (photography projects, 491)&lt;br /&gt;Chris Whittaker  (sculpture or video loop, 492)&lt;br /&gt;Portia Cobb (screening of Trilogy, shorts works from a project using found footage mingled with her own footage, 481)&lt;br /&gt;Gina Rymarcsuk &amp;amp; Naomi Shersty (455)&lt;br /&gt;Ken Wood (painting) 479&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SCHEDULED EVENTS&lt;/span&gt;&lt;br /&gt;FRIDAY&lt;br /&gt;5-6 pm: screening of Film 455 (Integrated Film Exploration) projects  (Room 408)&lt;br /&gt;6-7:30 pm: Sensorium: A Conversation with Sissel Tolaas and Caroline A. Jones (see below for more details) (Room 412)&lt;br /&gt;8-9 pm: Roughcut screening of Chosen Towns: The Experience of Jews in Rural Wisconsin’s Diaspora (film in progress made by docUWM and UWM students) with invited audience; public &amp;amp; audience invited to offer feedback. RT 60 min. (Room 408)&lt;br /&gt;&lt;br /&gt;Performances/Installations&lt;br /&gt;SATURDAY&lt;br /&gt;Noon-5 pm: Poetry Everywhere (mostly silent 36 min. loop on 2 screens)&lt;br /&gt;Noon-5 pm: Glenn Bach open studio/rehearsal with special guest sound artists John Kannenberg, Jim Schoenecker, others. Improvised performance at 3 pm. (449)&lt;br /&gt;Noon-1 pm : screening of Film 455 (Integrated Film Exploration) projects  (408)&lt;br /&gt;1: 15 pm: My Trip to the Beach, or Making Me into You 9 Times Over (Heather Warren Crow performance, 408) (15-20 min.)&lt;br /&gt;2-5 pm:  screening of Film 455 (Integrated Film Exploration) projects  (408)&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;*********************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 18&lt;/span&gt;&lt;br /&gt;6pm KSE, 4th Floor&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SENSATIONAL! SENSING MEDIA ARTS THEORY AND PRACTICE&lt;br /&gt;Colloquia in Conceptual Studies&lt;br /&gt;&lt;br /&gt;Kenilworth Square East&lt;br /&gt;1925 E. Kenilworth Pl.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;April 18, 2008 at 6 pm (Room 412)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sensorium&lt;/span&gt;&lt;br /&gt;A Conversation with Sissel Tolaas and Caroline A. Jones&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt; “Sensorium," a talk by Caroline Jones (Professor and Director of the History, Theory, Criticism Program, Department of Architecture, MIT). The talk is paired with an installation by and discussion with conceptual artist Sissel Tolaas, whose work explores the sense of smell.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;April 18-19, 2008 (KSE Room 463)&lt;br /&gt;Sissel Tolaas: &lt;span style="font-style: italic;"&gt;Fear 9&lt;/span&gt;&lt;br /&gt;scent-based installation&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Gallery Night &amp;amp; Day&lt;br /&gt;Friday, April 18, 5-9 pm&lt;br /&gt;Saturday, April 19, noon-5 pm&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sissel Tolaas&lt;/span&gt; (b. Norway, 1961) is a Berlin-based artist who has been working,&lt;br /&gt;researching and experimenting intensively with the topic of smell since 1990. She&lt;br /&gt;has developed revolutionary projects with smells and fragrances based upon her own knowledge of chemical science, mathematics, linguistics and languages, and visual art. Her installations have exhibited all over the world, and she has consulted with companies and institutions such as Cartier, Louis Vuitton, COMME des GARCONS,&lt;br /&gt;Estee Lauder, Chrysler Future, The Boston Consulting Group, ZH/Berlin, Bayers-Schering Inc., and the San Francisco Neurosciences Institute. In January of 2004, she established the research lab, IFF re_searchLab Berlin, on smell &amp;amp; communication, which is supported by IFF (International Flavors &amp;amp; Fragrances) Inc., New York. The Lab conducts research on the topic of smell/olfactory and smell-communication for the purpose of trying to change the existing approach to “our noses and smells and the process of smelling.“&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Caroline A. Jones&lt;/span&gt; studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception. Professor of art history and director of the History, Theory, Criticism Program in the Department of Architecture&lt;br /&gt;at MIT, she has also worked as an essayist and curator, most recently with MIT’s List Visual Art Center on Video Trajectories. She held positions at The Museum of Modern&lt;br /&gt;Art in New York (1977-83) and the Harvard University Art Museums (1983-85) prior to completing her PhD at Stanford University in 1992. Her exhibitions and/or films have been shown at MoMA and Harvard as well as the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Hara&lt;br /&gt;Museum Tokyo, among other venues; her publications include Sensorium (as editor, 2006), Eyesight Alone (2005), Machine in the Studio (1996/98), and the co-edited volume Picturing Science, Producing Art (1998). A frequent contributor to Artforum, Jones’s&lt;br /&gt;current research into globalism informs her next book on contemporary art, the world picture, and what she calls “biennial culture.”&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Monday, April 21&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;She’s Gotta Have It&lt;/span&gt; (Spike Lee, 1986)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_r8nTLz71s14/SAPQsJfCOmI/AAAAAAAAAEY/ohpJrRgBoaU/s1600-h/shesgotta.jpeg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_r8nTLz71s14/SAPQsJfCOmI/AAAAAAAAAEY/ohpJrRgBoaU/s400/shesgotta.jpeg" alt="" id="BLOGGER_PHOTO_ID_5189220652539853410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;****************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, April 24&lt;/span&gt;&lt;br /&gt;7pm Cream City Collective, 732 E. Clarke St.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_r8nTLz71s14/SAPRCpfCOnI/AAAAAAAAAEg/FKjo1w8fPMk/s1600-h/april25_Pentagon+bleeding+man.jpg"&gt;&lt;img style="cursor: pointer;" src="http://2.bp.blogspot.com/_r8nTLz71s14/SAPRCpfCOnI/AAAAAAAAAEg/FKjo1w8fPMk/s400/april25_Pentagon+bleeding+man.jpg" alt="" id="BLOGGER_PHOTO_ID_5189221039086910066" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;A bientôt j'espère  / Be Seeing You (Mario Marret &amp;amp; Chris Marker; produced by SLON, 16mm on vhs, 39 min., 1968) A documentary of and a conversation with the striking workers of Rhodiaceta, a textile plant owned by the Rhone-Poulenc trust in the city of Besançon, France. Refusing to disassociate the industrial conflict from a social and cultural agenda, the striking workers' demands concerned not only salary and job security, but also the very lifestyle imposed on them by society. Produced by SLON, which translates as the "Company for the Launching of New Works. Marker was a member of this filmmaking collective from 1967-1976. Presented as part of a cross-city celebration of films by Chris Marker&lt;br /&gt;&lt;br /&gt;*************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 25&lt;/span&gt;&lt;br /&gt;7pm $2 Woodland Pattern Experimental Film /Video series&lt;br /&gt;Woodland Pattern Book Center, 720 E Locust, 414 263 5001&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;The Embassy&lt;/span&gt; (super8 on DVD, 21 min., 1973)&lt;br /&gt;One of Chris Marker's few fiction films, The Embassy, shot in Super8 in the wake of the coup d’etat in Chile in 1972, shows political dissidents seeking refuge in a foreign embassy after a military coup d'état in an unidentified country. Over the next few days, more and more people fleeing the military assault-teachers, students, intellectuals, artists, and politicians-arrive at the embassy.&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Sixth Side of the Pentagon&lt;/span&gt; (Chris Marker &amp;amp; François Reichenbach, 16mm on DVD, b&amp;amp;w/sound, 26 min., 1967) Marker’s doc on the October 21, 1967 march on the Pentagon for the Mobilization to End the War in Vietnam. "If the five sides of the pentagon appear impregnable, attack the sixth side." -- Zen proverb&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt; “On vous parle de Paris: Maspero, Les mots ont?un sens”&lt;/span&gt; (Report on Paris: Maspero: Words have a sense.)&lt;br /&gt;(16mm on DVD, in French with live English translation, b&amp;amp;w, 20min., 1970) A portrait of editor/publisher and political activist François Maspero, considered heroic for his stalwart publication of works challenging France’s position in Algeria. One of Marker’s contributions to a serial film magazine, a series of newreels subtitled “Magazine of Counter-Information” that was produced by the collective SLON as a way to offer an alternative media in its coverage of and commentary on world news and political, social, and cultural figures.&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, APRIL 24&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Climbing Poetree&lt;br /&gt;&lt;/span&gt;7pm, UWM Union Wisconsin Room, with their two womyn production, "Hurricane Season."&lt;br /&gt;Co-sponsored by the Community Media Project&lt;br /&gt;http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_r8nTLz71s14/SAPRe5fCOoI/AAAAAAAAAEo/9BCRFvVwYeE/s1600-h/poetree.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_r8nTLz71s14/SAPRe5fCOoI/AAAAAAAAAEo/9BCRFvVwYeE/s400/poetree.jpg" alt="" id="BLOGGER_PHOTO_ID_5189221524418214530" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*********************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, April 28&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;Boyz N the Hood&lt;/span&gt; (John Singleton, 1991)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_r8nTLz71s14/SAPR5JfCOpI/AAAAAAAAAEw/bt1doK4TqRU/s1600-h/123046__boys_in_the_hood_l.jpg"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_r8nTLz71s14/SAPR5JfCOpI/AAAAAAAAAEw/bt1doK4TqRU/s400/123046__boys_in_the_hood_l.jpg" alt="" id="BLOGGER_PHOTO_ID_5189221975389780626" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-2825572175002218448?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/2825572175002218448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/2825572175002218448'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/04/monday-april-14th-monday-april-28th.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_r8nTLz71s14/SAPQAJfCOkI/AAAAAAAAAEI/aRj55o2RvrM/s72-c/tonguesuntied.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-3127712710427856025.post-8510934361753759403</id><published>2008-03-26T14:16:00.000-07:00</published><updated>2008-04-14T14:36:05.326-07:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;strong&gt;&lt;/strong&gt;Friday April 4th - Monday April 28th&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" &gt;&lt;span style="color: rgb(153, 0, 0);"&gt;April 4-11&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;7pm each night. Free&lt;br /&gt;30th Annual Latin American Film Festival, UWM Union Theatre&lt;br /&gt;co-sponsored by Film Department&lt;br /&gt;&lt;br /&gt;Related links:&lt;br /&gt;http://www.uwm.edu/Dept/CLACS/&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;***************************************************&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;Wednesday, April 9, 7pm  Arts Lecture Hall&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;Artists Now&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Patrick Ryoichi Nagatani: Desire for Magic&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Nagatani, who is both a photographer and a painter who works in the medium of masking tape, will show selected work from various serirs -  20X24 Polaroid Collaborations, Nuclear Enchantment, Excavations, Chromatherapy and his latest body of work, Tape-estries.  As the consumate story teller, he will attempt to demystify some of the narratives while revealing source material from his readings and working processes."I hope to challenge us to examine the ways in which photography creates, recreates, or supports a particular history," Nagatani said. "Finally, I am interested in beauty, desire, wonderment, possibilities, and an audience that is willing to suspend belief, to use the right hemisphere of the brain as much as the left."   &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;*******************************************&lt;/span&gt;&lt;br /&gt;Thursday, April  10 7pm&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;CMP’s Disparities &amp;amp; Misconception series&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Black Holocaust Museum, 2233 N 4th Street&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;sponsored by the Black Holocaust Museum, Cultures &amp;amp; Communities, &amp;amp; the Community Media Project.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Dark Exodus (Iverson White, 28min., 1985)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left; color: rgb(0, 0, 0);"&gt;Iverson White’s film focuses on how a family copes with one of the members being the victim of a lynching as they struggle to adjust to migrating from the South to the North in the early 1900s.&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left; color: rgb(0, 0, 0);"&gt;Related links:&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;http://www.communitymediaproject.blogspot.com&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;***********************************************&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 11&lt;/span&gt;&lt;br /&gt;5-8 PM&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; FILM 116 's Foundation Exhibition opening&lt;br /&gt;Union Art Gallery&lt;br /&gt;&lt;/span&gt;&lt;span class="bodytext"&gt;2200 E. Kenwood Blvd.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;The list of participating artists:&lt;br /&gt;&lt;br /&gt;Sam Karow, "Manipulation"&lt;br /&gt;Eric Fritz, "Lava Lamp"&lt;br /&gt;Corey Finnigan, "Asks: Part Three"&lt;br /&gt;Eddie Roberts, untitled&lt;br /&gt;Joe Gilliland-Lloyd, "Milwaukee Montage"&lt;br /&gt;David Ortiz, "Long Walk"&lt;br /&gt;Christopher Mainland, "Over the Tracks"&lt;br /&gt;Andrew Page, "State Law"&lt;br /&gt;Emily Sherman, untitled&lt;br /&gt;Colleen Kwok, untitled&lt;br /&gt;Brandi Stone, "Surrounded"&lt;br /&gt;Derrick Markowski, "Graphic Matching"&lt;br /&gt;James Stukenberg, "Medley"&lt;br /&gt;Shane Connolly, "Trapped By A Road Sign"&lt;br /&gt;Quinn Hester, "The Final Visit"&lt;br /&gt;Lydell Peterson, "Judgment Day Jogger"&lt;br /&gt;Elly Liebsch, "Flashy Fishy"&lt;br /&gt;Bryan Cera, untitled&lt;br /&gt;Meg Strobel, "Don't You Little Bird, Don't Cry"&lt;br /&gt;Desten Johnson, "Cart-a-thon"&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;***********************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Monday, April 14&lt;br /&gt;&lt;/span&gt; 7pm UWM Union Theatre, free&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Tongues Untied (Marlon Riggs, 1990) with&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Looking for Langston (Isaac Julien, 1988)&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Tuesday, April 15&lt;/span&gt;&lt;br /&gt;7pm Union Theatre&lt;br /&gt;Visiting Artist Craig Baldwin!&lt;br /&gt;MOCK UP ON MU (16mm to BetaSP, 117 mins.., 2008)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;A radically hybridized mash-up of spy, sci-fi, Western, and even horror genres,  Mu…musters the creative audacity—make that recklessness—to take up within its  absurdly impossible collage-narrative agency the profoundly serious issue  of Technological Ethics, namely, the militarization of space. (Mostly) Based on historical fact—the occult sex rituals of 3 seminal figures  in post-War California (JPL founder Jack Parsons, L.Ron Hubbard, and Marjorie Cameron), the incorrigible Baldwin promiscuously mixes his own desert-shot live-action footage with both fiction and non-fiction archival material to weave a dense tale  of mind-control, subterranean intrigue, and scientific speculation out of the 3 (or 99?) thematic threads of aerospace, alternative religion, and Beat sub-culture… and in pulp-serial form to boot! &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;**************************************************&lt;br /&gt;&lt;div id="main"&gt;    &lt;h2 style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-size:100%;"&gt;Friday April 18 - Saturday April19, 2008&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;World Making: Art and Politics in Global Media&lt;br /&gt;Hefter Center, University of Wisconsin-Milwaukee   &lt;/h2&gt;      &lt;p class="rightpadding"&gt;The Center for International Education will hold its     annual academic conference on April 18-19, 2008. "World Making: Art and Politics     in Global Media" seeks to explore the way in which various art and media     practices construct our understanding and experience of the world across     literal and metaphoric places, screens, and frames. It explores the capacity     of art and media practices - print, film, literature, television, architecture,     internet culture, and digital art - to create distinctive senses of place,     space and time and endeavors to think about social relations, aesthetic orders,     language systems, and citizenship within and beyond the nation-state. &lt;/p&gt;   &lt;p class="rightpadding"&gt;The Conference will be held at the Hefter Center at     3271 North Lake Drive (a short walk from UWM's campus). Click on &lt;a href="http://www.uwm.edu/map/buildings/vt-hcc-prof.html"&gt;Directions&lt;/a&gt;    for a map. Please note that David Wilson's lecture on Friday 18 April (7:30     - 9:00 pm) will take place in Curtin Hall, room 175.&lt;/p&gt; &lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;**************************************************&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday – Sunday, April 18-20&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;UWM Union Theatre&lt;br /&gt;2200 E. Kenwood&lt;br /&gt;Part 1 1pm each day; Part 2 6pm each day&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Taiga &lt;/span&gt;&lt;br /&gt;(Ulrike Ottinger, Germany/Mongolia, in Mongolian and German w/ English subtitles, 501 min. 35mm, 1993)&lt;br /&gt;Co-presented by UWM Union Theatre &amp;amp; UWM Film Department&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Taiga is Ulrike Ottinger’s epic 8 hour documentary shot within Mongolia. Focusing on the daily lives of the Darchad nomads and the Tuvan people of the North, Ottinger observes their shamanic rituals, celebrations, hunting expeditions and real Mongolian barbecues among other aspects of their nomadic existence amidst spellbinding landscapes. Taiga mirrors the slow, unhurried pace of Mongolian life.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*********************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 18&lt;/span&gt;&lt;br /&gt;6pm KSE, 4th Floor&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SENSATIONAL! SENSING MEDIA ARTS THEORY AND PRACTICE&lt;br /&gt;Colloquia in Conceptual Studies&lt;br /&gt;&lt;br /&gt;Kenilworth Square East&lt;br /&gt;1925 E. Kenilworth Pl.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;April 18, 2008 at 6 pm (Room 412)&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Sensorium&lt;/span&gt;&lt;br /&gt;A Conversation with Sissel Tolaas and Caroline A. Jones&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt; “Sensorium," a talk by Caroline Jones (Professor and Director of the History, Theory, Criticism Program, Department of Architecture, MIT). The talk is paired with an installation by and discussion with conceptual  artist Sissel Tolaas, whose work explores the sense of smell.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;"&gt;April 18-19, 2008 (KSE Room 463)&lt;br /&gt;Sissel Tolaas: &lt;span style="font-style: italic;"&gt;Fear 9&lt;/span&gt;&lt;br /&gt;scent-based installation&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Gallery Night &amp;amp; Day&lt;br /&gt;Friday, April 18, 5-9 pm&lt;br /&gt;Saturday, April 19, noon-5 pm&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sissel Tolaas&lt;/span&gt; (b. Norway, 1961) is a Berlin-based artist who has been working,&lt;br /&gt;researching and experimenting intensively with the topic of smell since 1990. She&lt;br /&gt;has developed revolutionary projects with smells and fragrances based upon her own knowledge of chemical science, mathematics, linguistics and languages, and visual art. Her installations have exhibited all over the world, and she has consulted with companies and institutions such as Cartier, Louis Vuitton, COMME des GARCONS,&lt;br /&gt;Estee Lauder, Chrysler Future, The Boston Consulting Group, ZH/Berlin, Bayers-Schering Inc., and the San Francisco Neurosciences Institute. In January of 2004, she established the research lab, IFF re_searchLab Berlin, on smell &amp;amp; communication, which is supported by IFF (International Flavors &amp;amp; Fragrances) Inc., New York. The Lab conducts research on the topic of smell/olfactory and smell-communication for the purpose of trying to change the existing approach to “our noses and smells and the process of smelling.“&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Caroline A. Jones&lt;/span&gt; studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception. Professor of art history and director of the History, Theory, Criticism Program in the Department of Architecture&lt;br /&gt;at MIT, she has also worked as an essayist and curator, most recently with MIT’s List Visual Art Center on Video Trajectories. She held positions at The Museum of Modern&lt;br /&gt;Art in New York (1977-83) and the Harvard University Art Museums (1983-85) prior to completing her PhD at Stanford University in 1992. Her exhibitions and/or films have been shown at MoMA and Harvard as well as the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Hara&lt;br /&gt;Museum Tokyo, among other venues; her publications include Sensorium (as editor, 2006), Eyesight Alone (2005), Machine in the Studio (1996/98), and the co-edited volume Picturing Science, Producing Art (1998). A frequent contributor to Artforum, Jones’s&lt;br /&gt;current research into globalism informs her next book on contemporary art, the world picture, and what she calls “biennial culture.”&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;************************************&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Monday, April 21&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;She’s Gotta Have It (Spike Lee, 1986)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;****************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, April 24&lt;/span&gt;&lt;br /&gt;7pm Cream City Collective, 732 E. Clarke St.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;A bientôt j'espère  / Be Seeing You (Mario Marret &amp;amp; Chris Marker; produced by SLON,  16mm on vhs, 39 min., 1968) A documentary of and a conversation with the striking workers of Rhodiaceta, a textile plant owned by the Rhone-Poulenc trust in the city of Besançon, France. Refusing to disassociate the industrial conflict from a social and cultural agenda, the striking workers' demands concerned not only salary and job security, but also the very lifestyle imposed on them by society. Produced by SLON, which translates as the "Company for the Launching of New Works. Marker was a member of this filmmaking collective from 1967-1976. Presented as part of a cross-city celebration of films by Chris Marker&lt;br /&gt;&lt;br /&gt;*************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Friday, April 25&lt;/span&gt;&lt;br /&gt;7pm $2 Woodland Pattern Experimental Film /Video series&lt;br /&gt;Woodland Pattern Book Center, 720 E Locust, 414 263 5001&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In anticipation of May Day: Catching up with Chris Marker&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;The Embassy&lt;/span&gt; (super8 on DVD, 21 min., 1973)&lt;br /&gt;One of Chris Marker's few fiction films, The Embassy, shot in Super8 in the wake of the coup d’etat in Chile in 1972, shows political dissidents seeking refuge in a foreign embassy after a military coup d'état in an unidentified country. Over the next few days, more and more people fleeing the military assault-teachers, students, intellectuals, artists, and politicians-arrive at the embassy.&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Sixth Side of the Pentagon&lt;/span&gt; (Chris Marker &amp;amp; François Reichenbach, 16mm on DVD, b&amp;amp;w/sound, 26 min., 1967) Marker’s doc on the October 21, 1967 march on the Pentagon for the Mobilization to End the War in Vietnam. "If the five sides of the pentagon appear impregnable, attack the sixth side." -- Zen proverb&lt;br /&gt;&amp;amp;&lt;br /&gt;&lt;span style="font-style: italic;"&gt; “On vous parle de Paris: Maspero, Les mots ont?un sens”&lt;/span&gt; (Report on Paris:&lt;br /&gt;Maspero: Words have a sense.)&lt;br /&gt;(16mm on DVD, in French with live English translation, b&amp;amp;w, 20min., 1970) A&lt;br /&gt;portrait of editor/publisher and political activist François Maspero,&lt;br /&gt;considered heroic for his stalwart publication of works challenging France’s&lt;br /&gt;position in Algeria. One of Marker’s contributions to a serial film magazine, a&lt;br /&gt;series of newreels subtitled “Magazine of Counter-Information” that was produced&lt;br /&gt;by the collective SLON as a way to offer an alternative media in its coverage of&lt;br /&gt;and commentary on world news and political, social, and cultural figures.&lt;br /&gt;&lt;br /&gt;************************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Thursday, APRIL 24&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Climbing Poetree&lt;br /&gt;&lt;/span&gt;7pm, UWM Union Wisconsin Room, with their two womyn production, "Hurricane Season."&lt;br /&gt;Co-sponsored by the Community Media Project&lt;br /&gt;http://www.youtube.com/watch?v=92z6Yx_27qs&amp;amp;feature=related&lt;br /&gt;&lt;br /&gt;*********************************************&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 0, 0); font-weight: bold;"&gt;Monday, April 28&lt;/span&gt;&lt;br /&gt;7pm, UWM Union Theatre, free&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CMP Film series: “Black Radical Film: Culture &amp;amp; Confrontation”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;Boyz N the Hood&lt;/span&gt; (John Singleton, 1991)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0); font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(153, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="bodytext"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3127712710427856025-8510934361753759403?l=uwmfilmdepartment.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/8510934361753759403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3127712710427856025/posts/default/8510934361753759403'/><link rel='alternate' type='text/html' href='http://uwmfilmdepartment.blogspot.com/2008/03/wednesday-march-26th-friday-april-11th.html' title=''/><author><name>UWM Department of Film, Video, and New Genres</name><uri>http://www.blogger.com/profile/06102931064358017408</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
